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Good intentions and some proficient camerawork can only go so far to make a film worthwhile. Angelina Jolie gives the best performance of her career as kidnapped Wall Street Journal reporter Daniel Pearl’s wife (she’s French and Cuban, making for one really tricky accent). I wanted to like this movie more. The subject matter is serious and timely, the filmmaking has a sturdy docu-drama look, and the acting never comes across as phony, but alas, I think I mentally checked out because much of the film is a detective story that I already know the ending to. Daniel Pearl was infamously beheaded, so watching an hour of his wife, friends, and local police scramble to track down key figures, their allegiances and acquaintances, and the whereabouts of Daniels can come across as fruitless and somewhat cruel. This film doesn’t have the same cathartic feel that United 93 had because that moment was universal, and while I can admire the cinematography and superb acting I can’t ignore the fact that watching people search and fail gives me little emotional reward as a viewer.
Nate’s Grade: B
